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Ska’s breakthrough commercially, Millie Small’s ‘My Boy Lollipop’, was originally recorded by Barbie Gaye in ’50s New York. The history of Caribbean music owes a debt to R&B as many of the early island releases were cover versions of US 45s. So this latest bulletin from Letts HQ is merely one angle of a multifaceted personality, his take on the JA tradition of the cover version. It’s not called Culture Clash Radio for nothing.

Listeners of his weekly 6 Music radio show are taken on a musical safari that moves seamlessly between time, space and genre. In the ’80s, he was part of Mick Jones’ new venture, Big Audio Dynamite and his innovative use of samples were a core part of their sound. This led to a shed-load of music videos (Linton Kwesi Johnson, The Clash, Bob Marley) not to mention documentaries on the likes of Gil Scott-Heron, George Clinton and Sun Ra. They in turn hipped him to their DIY ethos resulting in his reinvention as a filmmaker. His first gig as a DJ at the short-lived Roxy in Neal Street, became mythical for turning a generation of punks on to reggae. He began his working life managing the dauntingly hip Acme Attractions on Chelsea’s Kings Road, where he made a mark with his attitude, dress and, especially, the pounding dub reggae that vibrated the shop’s walls. Take your pick from the many coats worn by our selector, Don Letts aka The Rebel Dread.īorn in Brixton, a child of the Windrush Generation, Letts’ slippery and unorthodox career is somewhat hard to define, without taking a few detours around London, New York and Jamaica. Cultural polymath - pop star, filmmaker, radio broadcaster, commentator, Grammy winner.

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